Wednesday, December 27, 2017
“Comerford’s new ensemble work represented a significant development: a series of uncertain encounters with the Other across international, intercultural & interpersonal borders, in response to the polarization that’s been turning us into “a nation of Others” since the 2016 elections. In this still emerging work’s first stagings, design elements smoothed over some of the starkest verities Comerford and her dancers had discovered. In rehearsal, its nuanced social metaphors and raw emotional realism reminded me of Pina Bausch.”
Read the full article here.