As part of The American Dance Festivals’ 89th Season, ShaLeigh Dance Works proudly presented enVISION: Sensory Beyond Sight – an immersive performance that does not require a viewer’s vision

A chiaroscuro image of four dancers gently embracing a blindfolded woman with their hands and heads lightly resting on her. Photo by Slater Mapp.
Photo by Slater Mapp

On June 3-5, 2022, ShaLeigh Dance Works premiered enVISION: Sensory Beyond Sight to live audiences opening the 89th American Dance Festival’s Season with five sold-out performances at The Fruit in Durham, North Carolina. The performance was an immersive interdisciplinary performance that did not solicit the viewer’s sight but rather all their other senses. Specifically conceived with and for individuals who are low-vision and blind, the work proposed a new sensorial experience of dance and theater. The work was presented to a live audience who chose to experience the show blindfolded and invited six audience members to join the experience onstage.

The work brought together a team of collaborators around a single challenge: to tell a story through dance and theater beyond their visual dimension. The forty-five minute work was forged by the elaboration of new atmospheres over a specific journey that tells a collective story through textures, movements, sounds, music, scents, storytelling, and audience participation. Participatory audience members who were sighted wore a cover on their eyes as they entered the work from the beginning to the end of the performance allowing both sighted and unsighted people to share the experience.

Chatham Life & Style called it “a new evolution in dance.” IndyWeek praised it as “astounding” and a “bold, immersive performance.” CVNC described it as “a sensational and poetically eye-opening performance,” and Beltline to Broadway chronicled it as “a new sensorial way to experience dance and theater.”

ROOTS Weekend May 19 – 21, 2022

Image Description: A community of dancers in various poses, with ShaLeigh in the middle with her arms reaching to the left. Photo by Caroline Cockrell.

ShaLeigh was thrilled to share a ShaGa workshop with alternateROOTS on Saturday, May 19th  in Whitakers, NC to sink into connection and community through movement with fellow ROOTers! She was honored to serve on the upROOTING Ablism Workgroup with an incredible group of humans.

Alternate ROOTS is an organization based in the Southern USA* whose mission is to support the creation and presentation of original art, in all its forms, which is rooted in a particular community of place, tradition or spirit. As a coalition of cultural workers, ROOTS strives to be allies in the elimination of all forms of oppression. ROOTS is committed to social and economic justice and the protection of the natural world and addresses these concerns through its programs and services.

NC-based ROOTer, and SDW’s Artistic Director ShaLeigh Comerford collaborated to create a workshop on ShaGa: a living movement practice of self-discovery, healing, and awakening to our deeper resources. ShaLeigh’s work focused on disrupting the oppression and subjugation of people with disabilities through advancing artistic practices that center access as an aesthetic and promote cultural understanding. ShaLeigh and fellow ROOTers accepted the invitation to sink into connection and community through movement in an open and welcoming atmosphere.

We Welcomed Ciara, Our Newest Apprentice!

Image Description: A Black female with brown eyes is smiling in front of stairs wearing a white turtleneck with a gold chain around the neck with a black vest over top along with a black brim hat and gold hoop earrings.

Ciara Coleman is from Durham NC and began dancing at Dance Theatre South when she was 6 years old. Over the years, she took classes at Ninth Street Dance and minored in dance at The University of North Carolina at Greensboro. During her dance journey, Ciara had the opportunity to learn and explore various dance styles such as Ballet, Pointe, Jazz, Contemporary, Tap, Hip Hop, and Clogging. Ciara utilized dance as a way to recenter herself and as a reminder of how beautiful life can be. She was so excited to have the opportunity to learn and grow with Shaleigh Dance Works.

“I admire how the company uses its platform to empower others and bring awareness to marginalized communities, which is why ‘Be the beacon of light in someone’s darkness’ by Abraham Maslow is a quote that touches on my excitement.”-Ciara Coleman

We Welcomed Madeline Maingi to the SDW Team!

Image description:  A  female with brown hair and brown eyes is smiling before a white brick background. She is wearing a white shirt, navy blazer, and pink fringe earrings.

Madeline spent over 8 years in public education as an English teacher at Title I schools. She wrote several course curriculums for the district, as well as leading multiple professional development sessions at the district level. Madeline’s focus was working with interns at the local college and sharing with them her knowledge on how to make texts and assignments more equitable for all students. She is currently the general manager and instructor at a boutique fitness studio. Madeline was honored to be the Marketing Director at ShaLeigh Dance Works! 

“I’ve spent years working with nonprofits and companies to make education and the arts accessible to all. Working as the Marketing Director at SDW combines my love for helping others and spreading the word!”- Madeline Maingi

We Welcomed Runa King to the SDW team!

Image description:  A white female with brown hair and blue eyes is smiling before a white background. She is wearing a magenta turtleneck with a cameo necklace.

Runa graduated from Washington and Lee University in 2021 with a double major in geology and politics, and a minor in dance. While at W&L, she presented work at the Center for Movement Research, Alvin Ailey Citigroup Theater, and Lenfest Center for the Arts in addition to interning with the Joffrey Ballet School. Following graduation, she worked at Moondance Adventures planning and guiding wilderness-based trips across the United States. Having collaborated with members of Shaleigh Dance Works and studied with Shaleigh Comerford at Washington and Lee, Runa was thrilled to join the team as SDW’s Executive Assistant.

“I am incredibly excited by the work SDW is doing to make dance a more inclusive and accessible artform. I look forward to the opportunity to be a part of this community and support these amazing dancers through an administrative role!” -Runa King

The National Women’s Theatre Festival presented an excerpt of enVISION: Sensory Beyond Sight

Graphic reading: The 7th Annual National Women's Theatre Festival
July 28-31, 2022
Join in-person or virtually

On July 28, 2022, an excerpt of enVISION: Sensory Beyond Sight was presented at The National Women’s Theatre’s annual Festival in Raleigh, NC. This festival has been the nation’s largest symposium on gender in theatre and has provided a platform for amplifying & celebrating the contributions of women, non-binary, TGNC, and other under-represented gender artists in the field. 

ShaLeigh Dance Works presented a 20-minute excerpt of enVISION: Sensory Beyond Sight at Festival 22. The live audience chose to experience the work with or without a cover over their eyes. Four audience members were invited to join the experience onstage and two seated audience members received a more immersive experience.Those six invited audience members were taken through a consent-focused orientation process that Festival 22 attendees were able to observe at the top of the show followed by the performance excerpt.

After the performance, ShaLeigh Dance Works broke down the creation process and answered audience questions!

We were excited to present our work both in person at Frank Thompson Hall on the North Carolina State University and virtually as a part of The National Women’s Theatre’s annual Festival.

ShaLeigh Dance Works joined Rosie Herrera Dance Theatre for Devotion

Shirtless man with a disco ball over his head. Photo by Chris Walt

The third in a trilogy following Carne Viva (2016) and Make Believe (2018), Rosie Herrera Dance Theatre continued its investigation of religious iconography to explore themes of love and romance with the ADF-commissioned world premiere of Devotion (2022). Shaleigh Dance Works collaborated with Rosie Herrera Dance Theatre for this premiere at Reynolds Industries Theatre at Duke University on June 2-5 and June 16-17,  2022.

Attack Theatre presented Adaptive Dance Series

Graphic reading: Adaptive Dance Series
A virtual weekend of free dance workshops designed for adults and children with emotional, cognitive, and physical disabilities.
June 3-5, 2022

The Adaptive Dance Series was a virtual weekend of free dance workshops designed specifically for children and adults with emotional, cognitive, and physical disabilities. Participants connected with a community of movers from across the country through a variety of dance styles. 

On June 4, 2022, enVISION directors ShaLeigh Comerford and Davian Robinson held a Modern Movement Masterclass where participants explored the intersection of movement and language using modern dance styles and individual thoughts and interpretations.

ShaLeigh Dance Works proudly presented Double Virtual Premieres of enVISION

Beyond Sight: The Making of enVISION by Argyle Rebel Films 

enVISION: Sensory Beyond Sight filmed by Palani Mohan

Group of 5 dancers, three male and 2 female, stand in a line smiling and embracing each other.

Last summer, ShaLeigh Dance Works premiered enVISION: Sensory Beyond Sight to live audiences opening the 89th American Dance Festival’s Season with five sold-out performances at The Fruit in Durham, North Carolina. Talented videographer Palani Mohan captured the show with high-quality multi camera shoots of the live performance. While creating this collaborative dance-theatre work, filmmaker Michael Washington of Argyle Rebel Films added another layer of collaboration: he documented the process. 

In September 2022, we invited the audience to join us both onstage and behind the scenes through this double premiere to take a closer look at what went into its making and to experience the virtual premiere of enVISION: Sensory Beyond Sight. We were thrilled to premiere the documentary and performance virtually with an artist chat-back directly following the documentary premiere.

The Virtual Premiere of enVISION: Sensory Beyond Sight, filmed by Palani Mohan, was an immersive interdisciplinary performance that did not solicit the viewer’s sight but rather all their other senses. Specifically conceived with and for individuals who are low-vision and blind, the work proposes a new sensorial experience of dance and theater. The work was presented to a live audience who could choose to experience the show blindfolded and invited six audience members to join the experience onstage. It premiered virtually on September 17th, and the audio description of the event was released on October 15th.

The documentary Beyond Sight: The Making of enVISION, was presented both virtually and in person at Westgate Wine Bar in Raleigh, NC on September 10, 2022 and with a virtual audio described release on October 8th, 2022. Michael Washington, the filmmaker, described the work as “a one of a kind documentary that showcases the creative process behind ShaLeigh Dance Works’ newest masterwork. Told by the artists themselves, ‘Beyond Sight’ is an unflinching look at what it takes to push boundaries and change the landscape of live performance forever.”

Chatham Life & Style called it “a new evolution in dance.” IndyWeek praised it as “astounding” and a “bold, immersive performance.” CVNC described it as “a sensational and poetically eye-opening performance,” and Beltline to Broadway chronicled it as “a new sensorial way to experience dance and theater.”

enVISION: Sensory Beyond Sight by ShaLeigh Comerford was co-commissioned by the American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Works and was supported in part by The National Endowment for the Arts, MAP Fund, the Mary Duke Biddle Foundation, the Durham Arts Council’s Annual Arts Fund and the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. www.NCArts.org

Premieres were screened globally as a YouTube Watch Party. The links below were used to access our pre-show materials:

Audio Program Track

Program Text PDF

Script PDF